Cosimo matassa rex record label
Fresh Air rock historian Ed Ward has the story today.Temps de Lecture Estimé: 6 min
Balises :New OrleansThe StudioCosimo Matassa Recording StudioIncorporated by Cosimo Matassa in late 1965, Dover Records was a 'One-Stop' operation that handled recording, record pressing, distribution, marketing and promotion for many small independent labels in and around New Orleans.Balises :New OrleansCosimo MatassaRock and Roll Hall of FameTap and die
Cosimo Matassa, recorded New Orleans R&B, dead, 88
The Parker and Neville hits were distributed by Dover Records, an organization founded by Matassa to act as a one-stop service for small New Orleans labels, from recording to .Introduction Cosimo Matassa (1926-2014) était un ingénieur du son et producteur américain qui a joué un rôle crucial dans le développement de la musique à la .Rock and Roll Hall of Fame member Cosimo Matassa, who was recording manager for 21 gold record hits, including Lawdy Miss Clawdy and Tutti Frutti, diesCosimo Matassa, record producer Dixie Magazine profile.Balises :New OrleansThe StudioCosimo Matassa Recording StudioFats Domino Dover collapsed in 1968, effectively marking the end of the Cosimo studios - and New Orleans R&B.Balises :New OrleansRecordingCosimo Matassa Dover RecordsWhile working for Tulane, he continued running his record label, which is still in existence today, and also opened a record store in the French Quarter, originally on Chartres Street, and then later on St.Matassa-recorded hits included Little Richard ‘s “Tutti Frutti,” Big Joe Turner’s “Shake, Rattle and Roll,” Professor Longhair’s “Mardi Gras in New Orleans,” .Balises :Cosimo MatassaRecordingFats Domino
Cosimo Matassa: Little Richard, Fats Domino, Professor Longhair
Nick Larocca recorded the first Jass record in 1916 and later changed the name to Jazz.In 1960, Matassa began assigning hyphenated matrix numbers to the 45s he mastered at his studio on Governor Nicholls Street. A self-effacing man, he would often play down the importance of his role in the New Orleans music scene, saying that a lot of good musicians .Cosimo started J&M Recording Studio in 1945 at the age of 18, and recorded what many music historians consider to be the very first rock 'n' roll song ever recorded in 1947, Good Rockin' Tonight by Roy Brown.
Balises :The StudioCosimo Matassa Dover RecordsGovernor Nicholls
Rex
Balises :New OrleansThe StudioCosimo Matassa Recording StudioSound Cosimo Matassa, the New Orleans recording engineer and studio maestro who functioned as a midwife at the birth of rock 'n' roll, is among the 2012 . However, he admitted he was distracted from his studios .Matassa’s venture into label ownership with Dover Records in the mid-1960s introduced several more standards to the rhythm and blues canon, most notably Robert Parker’s “Barefootin’” in .Balises :New OrleansCosimo MatassaRecordingFats DominoLittle Richard - Phil Alexander (Mojo magazine) These guys are just knocking 'em dead over there in the UK, and it does our hearts .
He created his own label, Dover Records, in the 1960s. BERTEAUX; Cosimo Matassa, .Incorporated by Cosimo Matassa in late 1965, Dover Records was a 'One-Stop' operation that handled recording, record pressing, distribution, marketing and promotion for many .
Legendary 'New Orleans Sound' maker Cosimo Matassa dies
Get Directions. by Roger King, Craig Schumacher | Photographs by Jon Kardon. It is the mission of this site to attempt to log, by year, every known recording emblazoned with this code.Matassa eventually had three studios in New Orleans, including Jazz City Studio on Camp Street, as well as a record pressing plant called Superior Plastic, and . He retired from music in the 1980s and returned to work at Matassa’s Market, which his sons John and Louis had renamed after buying Johnny .Cosimo Matassa, 88, a Rock and Roll Hall of Fame member who recorded New Orleans rock and rhythm and blues from the 1950s to the 1970s, died Thursday in New Orleans, said his granddaughter Mia . John: 12 Essential Songs. Matassa at Sea-Saint Studios, 3809 Clematis St.Balises :New OrleansThe StudioCosimo Matassa Recording StudioUnited States Cosimo Matassa, whose used-record business in New Orleans led him to sell new records, which led him to open a tiny studio that helped jump-start rock ’n’ roll .Nonetheless, the late Cosimo Matassa, who owned the only recording studio in town, kept busy., New Orleans Photo taken 6/24/1981; unpublished. In the '60s, musicians left New Orleans, major .Matassa also started his own record label and music distribution business, as well as opening a pressing plant and managing singer Jimmy Clanton. Goodbye you, I don't want you to stay Goodbye you, it's better this way Me with me, you with you That'll do You're just wrong, and I'm a bit strange While you're gone, I'd like you to change The same old chords, with a different tune Carried on You and I could choose to be alone Harmonies are dischords raised a tone And I .Cosimo Matassa en su estudio en 1958. We have recently discovered that these 'Cosimo Code' numbers followed a set chronological pattern. Location Status: Same structure, different use.Cosimo Matassa, the New Orleans studio owner and recording engineer who helped craft timeless recordings by Fats Domino, Little Richard, Irma Thomas, Professor Longhair, Lee Dorsey, Lloyd Price . Label:Vintage Vinyl – VVLP005: Format: 2 x Vinyl, LP, Compilation. New Orleans banks, not sympathetic to . By Alison Fensterstock.During 1959, Cosimo Matassa was running the Rex label in conjunction with his studios at 523-25 Gov.Cosimo Matassa’s J&M Recording Studios, operational from 1945 through spring 1956, is rightly recognized as a birthplace of rock ’n’ roll through several seminal titles, when the music was still known as rhythm and blues. A1: Fats Domino – Reeling And Rocking: A2: Lloyd Price – Lawdy Miss Clawdy: A3: Dave Bartholomew – .
The Parker and Neville hits were distributed by Dover Records, an organization founded by Matassa to act as a one-stop service for small New Orleans labels, from recording to pressing to marketing. In 1949, he recorded Fats Domino singing The Fat Man, and went on to work on many sides with him, like Walkin' to New Orleans. Por encima de cualquier celebración, este año estará marcado por la muerte de Cosimo Matassa (1926-2014), uno de los personajes que contribuyó a forjar el sonido de Nueva Orleans e incluso el desarrollo del rock’n’roll. New Orleans LA 70116.September 12, 20144:21 PM ET. In Shreveport, Stan Lewis founded several labels including .Balises :New OrleansCosimo MatassaRecordingStudioThis was also true of New Orleans’s premier record man Cosimo Matassa, who owned several labels but was primarily a recording engineer. Matassa endured the ups and downs of the music .
J&M Recording Studio
Matassa’s studio served as home base for musicians such as Fats Domino, Roy Brown, and other important New Orleans-based R&B artists.Several independent labels that had recorded at Cosimo’s went bankrupt and could not pay for their recording sessions.
Cosimo Matassa, 88, a Rock and Roll Hall of Fame member who recorded New Orleans rock and rhythm and blues from the 1950s to the 1970s, died Thursday in .Matassa set up recording equipment in a back room in 1945 or 1946, making his earliest recordings for DeLuxe Records, a New Jersey label whose owners .521 Governor Nicholls St.
Cosimo Matassa
Balises :New OrleansThe StudioCosimo Matassa Recording StudioRock and roll Cosimo Matassa recorded songs by Fats Domino, Little Richard, .NEW ORLEANS (AP) — Rock and Roll Hall of Fame member Cosimo Matassa, who recorded New Orleans rock and rhythm and blues from the 1950s to the 1970s, has died.
The Cosimo Matassa Story
Country:Europe: Released:2013: Genre: Rock, Funk / Soul, Blues: Style:Rhythm & Blues, Rock & Roll: Tracklist.
Cosimo Matassa, el padrino del rock’n’roll
Balises :New OrleansCosimo MatassaLittle Richard Matassa opened J&M Studios in a back room of his family's shop in 1945 before moving on to the larger Cosimo Recording Studio in his hometown of New Orleans in 1955. Cosimo Matassa. London-based rhythm 'n' blues band paying homage to legendary New Orleans producer Cosimo Matassa and the artists who passed through his studios. -- Cosimo Matassa, the legendary recording engineer and studio owner who helped introduce and shape New Orleans' early rhythm and blues . Cosimo Matassa: Little Richard, Fats Domino, Professor Longhair.April 13, 1926 – September 11, 2014.
A giant in the city’s music scene, Matassa died Thursday at 88. He retired from the music .Engineer, studio owner and Recording Academy Trustees Award recipient Cosimo Matassa died Sept.
Cosimo Matassa: Little Richard, Fats Domino, Professor Longhair
Matassa, who had been ailin Rex (Q73191180) Q73191180) These included “Good Rocking Tonight” by Roy Brown in 1947, “The Fat Man” by Fats Domino in 1949, and “Tutti [. The golden age .NEW ORLEANS, La. J & M Studios owned by Cosimo Matassa recorded Little Richard and recorded “Tutti Frutti” in 1955 at 840 North Rampart Street.In 1964 Matassa started his own record label, White Cliffs, and a year later a distribution company, Dover Records. He retired from music in the 1980s and returned to work at Matassa's Market, which his sons John and Louis had renamed after buying Johnny's . Following this disaster, Matassa established Jazz City . Cada uno recordará el 11 de septiembre por un motivo distinto. From Iko Iko to Such a Night and beyond, we revisit key tracks by New Orleans' legendary Night Tripper.Balises :New OrleansThe StudioThe Cosimo Matassa StoryEverybody's
Cosimo Matassa
The Cosimo Code
Cosimo Matassa (born in 1926; died 2014) was the pre-eminent audio engineer of the intense period of creativity and commercial success known as the Golden Age of .Balises :Cosimo MatassaThe StudioFats DominoLittle RichardNPRAfter some early success recording artists for DeLuxe Records, Matassa found other labels, including Atlantic, Specialty, Imperial and Ace calling for his services. Dover collapsed in 1968, effectively marking the end of the Cosimo studios – and New Orleans R&B.Balises :New OrleansCosimo Matassa In 1966 he enjoyed a huge hit with Robert . Matassa endured the ups and downs of the music business, including dealing with unsympathetic banks who were reluctant to lend money to someone in his line of work. By Ben Sandmel. This page is an attempt at a comprehensive list of those labels, along with their principal owners and producers.
